Elisabeth Moss Finds Her 10

Even the briefest skim of my Mad Men coverage on this blog will reveal my undying love for all things Peggy Olson. You can imagine my delight at being able to sit with the actress who plays her and chat about The Heidi Chronicles, a thoughtful Broadway revival of a thought-provoking feminist play. Assuage your grief over the imminent end of Mad Men by checking out my Backstage cover story featuring Elisabeth Moss! She’s just the best.

Elisabeth Moss

Photo Source: Chad Griffith

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Smart Reads: Jack Smart Edition #7

The Human Symphony

Dylan Marron’s ‘The Human Symphony’

Wonderful internet wormholes you should fall into:

  • Web series!: Good Cop Great Cop (superb absurdist comedy), Paragon School for Girls (if you want to feel a liiittle bit high), SRSLY (proof that creating your own online content can lead to lucrative work!)
  • Kate McClanaghan, now a contributing Backstage Expert, has some really excellent advice for actors looking to break into the voiceover industry. Ditto Jennifer Ashley Tepper of NYC’s 54 Below when it comes to cabaret.
  • Although the fervor of awards season has (blessedly) subsided, it may tickle you to learn where all this year’s acting nominees got their start on screen, especially if you’re still enraged about Patricia Arquette’s Oscar snub for A Nightmare on Elm Street 3: Dream Warriors. Also – my apologies – I wrote about next year’s Oscars too.
  • I interviewed the writer behind Let the Right One In, the only horror theater I’ve ever seen that actually made me leap out of my seat like a ninny.
  • David Ives is a theater genius! I got to pick his genius brain a little bit about his invigorating new collection of one-acts at Primary Stages, Lives of the Saints.
  • Check out my alliteration: 9 Fabulous February Films!

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Oscars 2015 Recap: The Broadcast’s Most Emotional Moment

First of all, let’s get best dressed out of the way:

Emma Stone

Emma Stone blew everybody out of the water (and got covered in seaweed?) with this chartreuse Elie Saab number

My initial reaction: “What is that, seaweed?? WTF she looks like an alien!” Second reaction: “Ohmygosh it’s like. Seaweed. Like sexy glamorous seaweed. She’s a sexy glamorous bug-eyed alien.” By the end of the night: “Wait, everybody at this year’s Oscars is dressed so conservatively and here’s Emma Stone, national treasure, resident alien supermodel, dressed in a wildly unusual and eye-catching color. Not only does nobody else on this carpet stand out like she does, nobody in all of awards season dared to wear something as bizarre and striking as this! And look at that face!! She freaking KNOWS. All hail, bitches!!!”

Anyway. Patricia Arquette’s speech was great, and Meryl and JLo’s joint reaction was even better. I’m happy for Julianne, I don’t really have words for what happened with Menzel and Travolta, and seeing Julie Andrews did my heart good. The ceremony was full of some unexpectedly cathartic moments; in defiance of #OscarsSoWhite we were treated to a rousing performance of Selma‘s “Glory” followed by an unabashedly political speech from John Legend and Common. Here’s hoping the Academy can pull their head out of their asses a bit more and open their minds to films that aren’t only biopics centering on brilliant misunderstood white dudes.

But for me, I must admit, the most emotional part of the broadcast – tears spring to my eyes just thinking about it – came somewhere in the middle….

 

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Smart Pick of the Month: Bob’s Burgers

I know I’m late to this party, but Bob’s Burgers has been getting me through the cold hellish madness of February in NYC. As the snow outside lather-rinse-repeats itself into grotesque gray slush, I’ve been curled up with Bob, Linda, Tina, Gene, and Louise Belcher, laughing at their endearing foibles and astonishing comic timing. It’s a show about losers, but a family of losers – there’s too much heart for us to ever be laughing at their expense. The above clip is from the season 5 premiere, where the cast to sings the title song from their theatrical mashup of “Working Girl” and “Die Hard,” joined by Carly Simon.

“Work Hard or Die Trying, Girl” is basically my 2015 motto.

A Smart Playlist to Kick Off 2015

Wait, it’s 2015?? But that’s the year Back to the Future 2 features flying skateboards! Here are the songs I’ve been enjoying since 2015 began – some overlapping 2014 just a bit. Here’s hoping this year gives us more weird mega-pop like Sia, under-the-radar folk like First Aid Kit, and irresistible fabulousity like Stromae. And maybe less blinkered tackiness pretending to be “Fancy.” (Mark Ronson and Bruno Mars are a decent start, wouldn’t you agree?)

Jam on:

Raf Rundell and Joe Goddard’s boldly bizarre second album folds time and space; you can travel from the streets of South Africa to 1970s London clubs and back again while listening. This is their most straight-up pop song and I can’t stop gyrating.

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If I Ran The Oscars: 2015 Edition

All right here’s the thing I took a melatonin pill about eight minutes ago so I have until that sucker kicks in to scrawl down some thoughts on this year’s Oscars. I’m telling you right now, this shit’s not gonna be perfect. Honesty and authority: those are the values guiding my 2015 resolutions. So in the spirit of practicing honesty and authority, I’m going to describe who would win which Academy Awards if I ran the show. My verdicts will be honest and backed with real evidence (my well-informed opinions, duh) and they will be declared without apology because authority.

Selma

The 2015 Best Picture Winner (if I was running this bitch)

Some of the things I’m about to say are going to sound blasphemous or even kind of inflammatory but that’s kind of the point – we all have different perceptions and tastes and come tomorrow morning, we’ll all have plenty of snubs to bitch about. With the surfeit of awards shows plaguing red carpets everywhere (am I complaining no I am not) the Oscars at this point don’t hold a lot of surprises (Keaton, Moore, Simmons, Arquette, Linklater & Boyhood, let’s just call it right now) but there’s still something fun about an award that signals the very top of an industry’s craft, even if it’s just because some dude says it’s so. And as long as we all acknowledge this months-long process of back-patting is little more than a sham, in an echo chamber, dressed in a very pretty gown, we can bitch about snubs all we want. Because it’s about culture, people. And taste. I have it, you don’t. Let the rabble-rousing begin!

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