Even the briefest skim of my Mad Men coverage on this blog will reveal my undying love for all things Peggy Olson. You can imagine my delight at being able to sit with the actress who plays her and chat about The Heidi Chronicles, a thoughtful Broadway revival of a thought-provoking feminist play. Assuage your grief over the imminent end of Mad Men by checking out my Backstage cover story featuring Elisabeth Moss! She’s just the best.
Wonderful internet wormholes you should fall into:
- Web series!: Good Cop Great Cop (superb absurdist comedy), Paragon School for Girls (if you want to feel a liiittle bit high), SRSLY (proof that creating your own online content can lead to lucrative work!)
- Kate McClanaghan, now a contributing Backstage Expert, has some really excellent advice for actors looking to break into the voiceover industry. Ditto Jennifer Ashley Tepper of NYC’s 54 Below when it comes to cabaret.
- Although the fervor of awards season has (blessedly) subsided, it may tickle you to learn where all this year’s acting nominees got their start on screen, especially if you’re still enraged about Patricia Arquette’s Oscar snub for A Nightmare on Elm Street 3: Dream Warriors. Also – my apologies – I wrote about next year’s Oscars too.
- I interviewed the writer behind Let the Right One In, the only horror theater I’ve ever seen that actually made me leap out of my seat like a ninny.
- David Ives is a theater genius! I got to pick his genius brain a little bit about his invigorating new collection of one-acts at Primary Stages, Lives of the Saints.
- Check out my alliteration: 9 Fabulous February Films!
My Wicked-obsessed teenage self was very excited to sit down with the one and only Kristin Chenoweth recently. If you are in the New York area at all, get your hands on a ticket to On the Twentieth Century. It’s all-out musical hysteria and this diva completely nails it. Check out my cover story over at Backstage! And stay tuned!
It’s almost 2015, bitches. Let’s do this.
- “I have arms. I’m a pretty good fighter.” – Academy Award winner Marion Cotillard.
- “You have to have Darth Vader, you can’t just have Obi-Wan Kenobi.” – Inherent Vice scene stealer Josh Brolin!
- “I can’t look at myself in the mirror if [my] standup sucks; that’s like being a chef and cooking a fake cake or something.” – my longtime hero Jenny Slate, whose fantastic performance in Obvious Child would have my vote for Best Actress.
- “He’s just a totally fucked-up mess for the rest of his life. But a strong one.” – Logan Lerman on his character in the WWII thriller Fury.
- “Until I can find the emotional truth of the character, by sitting with people and hearing their experience—that’s the only way I can find how to emotionally connect.” – the faaabulous Michelle Monaghan (just Golden Globe-nominated for her work on True Detective) on her indie showcase Fort Bliss.
- Director JV Mercanti offered some useful advice I’d never heard before…
- Eric Tucker of up-and-coming theater company Bedlam is making some truly tremendous theater to get himself and his friends on the map…
- Micah Stock gets to share a stage with Nathan Lane and Stockard Channing every night in It’s Only a Play…
- Curious about how some of 2014’s best movies were cast? Check out The Grand Budapest Hotel‘s Douglas Aibel, Pride‘s Fiona Weir, Interstellar‘s John Papsidera, A Most Violent Year‘s Tiffany Little Canfield, & Selma‘s Aisha Coley…
- And most importantly, 33 pieces of advice from actors who chatted with Backstage this year!
For my second Backstage cover story, I sat down with Emily Blunt (at the Four Seasons New York, no less!) to chat about her work as the Baker’s Wife in the big screen adaptation of Stephen Sondheim’s Into the Woods. It was truly one of the highlights of my 2014. In addition to the topics I was able to include in the article, we talked about how annoying it is that some high schools skip the musical’s second act, what project she’d like to tackle next – a Western! – and the embedded nerve she got from filming Edge of Tomorrow while wearing an 85-pound metal suit. She is every bit as charming and down-to-earth as you might imagine, and her performance in Into the Woods, as with all her other movies, is superb. Don’t miss it!
Bylines are not clickable on Backstage unfortunately, so these little updates are the best way to check out what I’ve been up to writing-wise. Do what I do when browsing a writer’s body of work: spend 4.3 seconds scanning for juicy buzzwords, and click what tickles your fancy. Here we go!
- Say you prefer cute listicles and slideshows (who’s got the attention span for anything else, amiright?): famous actors’ former day jobs, inspirational film monologues, and yet more Robin Williams in recent commercials featuring famous actors.
- What about famous theater personalities? Turns out, they’re just like us! We’ve got the amicable John Gallagher Jr., the colorful Seth Rudetsky, the gregarious Celia Keenan-Bolger, the hilarious Tracee Chimo, and especially playwright Suzan-Lori Parks, who gave probably the best phone interview ever. (“I’m just saying, like, praise be to you all who have made plays over the years! Here I am now following in your footsteps.”)
- Looking for a web series to invest some internet-dawdling time with? Try Capitol Hill (silly), or Video Game High School (epic), Augie Alone (hysterical), or really any of these.
- Or perhaps you want some practical advice, Backstage-style? There’s Stefanie O’Connell and her wonderful finance website, Carmen Zilles, who is now performing at the theater at which she interned, up-and-coming superhero B.J. Britt, the Naked Angels’ fabulous reading series Tuesdays@9, Ryan R. Williams and his real talk, and the Lincoln-quoting David H. Lawrence XVII. Lots of great food for thought.
- Random, but still worth a look: I interviewed one of my heroes at NPR, Michel Martin, after a fascinating panel about racial diversity on Broadway with four awesome playwrights, as well as the creator of vegan ballet slippers, and the head of Broadway Cares/Equity Fights AIDS. This holiday season, donate!
So my very first Backstage cover story came out! I had the good fortune of sitting down with Michael Esper, star of Sting’s Broadway musical The Last Ship, to chat about his upbringing in the theater and his acting identity crisis. (This might seem like tooting my own horn, but hey, what are blogs for?) Everybody should go see the show – it’s a refreshingly original musical with a dazzling cast.
As the son of renowned acting coaches, Michael Esper spent his childhood immersed in the theater. He describes the influence of his parents, founders of the William Esper Studio, as “so massive. It probably can’t be overstated. Some of my earliest memories are watching my father’s productions of plays, watching my godfather play Hamlet’s ghost, watching my mom play Arkadina in ‘The Seagull,’ listening to actors do repetition exercises through the walls of the studio.” Esper is the first to acknowledge that having family in the business can be tricky. Was there an expectation, unspoken or otherwise, that he would continue their legacy?