Wait, it’s 2015?? But that’s the year Back to the Future 2 features flying skateboards! Here are the songs I’ve been enjoying since 2015 began – some overlapping 2014 just a bit. Here’s hoping this year gives us more weird mega-pop like Sia, under-the-radar folk like First Aid Kit, and irresistible fabulousity like Stromae. And maybe less blinkered tackiness pretending to be “Fancy.” (Mark Ronson and Bruno Mars are a decent start, wouldn’t you agree?)
Raf Rundell and Joe Goddard’s boldly bizarre second album folds time and space; you can travel from the streets of South Africa to 1970s London clubs and back again while listening. This is their most straight-up pop song and I can’t stop gyrating.
Bylines are not clickable on Backstage unfortunately, so these little updates are the best way to check out what I’ve been up to writing-wise. Do what I do when browsing a writer’s body of work: spend 4.3 seconds scanning for juicy buzzwords, and click what tickles your fancy. Here we go!
- Say you prefer cute listicles and slideshows (who’s got the attention span for anything else, amiright?): famous actors’ former day jobs, inspirational film monologues, and yet more Robin Williams in recent commercials featuring famous actors.
- What about famous theater personalities? Turns out, they’re just like us! We’ve got the amicable John Gallagher Jr., the colorful Seth Rudetsky, the gregarious Celia Keenan-Bolger, the hilarious Tracee Chimo, and especially playwright Suzan-Lori Parks, who gave probably the best phone interview ever. (“I’m just saying, like, praise be to you all who have made plays over the years! Here I am now following in your footsteps.”)
- Looking for a web series to invest some internet-dawdling time with? Try Capitol Hill (silly), or Video Game High School (epic), Augie Alone (hysterical), or really any of these.
- Or perhaps you want some practical advice, Backstage-style? There’s Stefanie O’Connell and her wonderful finance website, Carmen Zilles, who is now performing at the theater at which she interned, up-and-coming superhero B.J. Britt, the Naked Angels’ fabulous reading series Tuesdays@9, Ryan R. Williams and his real talk, and the Lincoln-quoting David H. Lawrence XVII. Lots of great food for thought.
- Random, but still worth a look: I interviewed one of my heroes at NPR, Michel Martin, after a fascinating panel about racial diversity on Broadway with four awesome playwrights, as well as the creator of vegan ballet slippers, and the head of Broadway Cares/Equity Fights AIDS. This holiday season, donate!
Yeah. All the hairs on my arm are sticking straight up too.
I guess I assumed – I’m sorry, T-Pain, truly I am – that the use of auto-tune has always been a bit of a crux. Now it seems auto-tune was just the guy’s thing, a branding method. This performance at NPR Music’s tiniest of desks was, from what I understand, completely unplanned. So T-Pain has accidentally set the internet on fire with the grand epiphany of his gorgeous, soulful voice, and must now face the question: why not try getting rid of the auto-tune altogether? What if T-Pain were to re-brand?? He could fill the hole in the pop music industry that douchebag Cee-Lo left behind!
Welcome, summer! You are most, most welcome.
You werk that all-in-one-shot, intricate choreography, carefree 90’s aesthetic realness, Kiesza gurl. Snaps of resourcefulness!
I want those shoes.
I know, I know, I’ve already fawned over her enough. But this video! This video!!!!
She is serving intense partygirl existentialism and I am HERE FOR IT. If you listen really closely, you can hear Pink weeping somewhere, watching this on repeat. (I’m trying to think of other pop stars operating at this level or with a similar aesthetic. Lily Allen? Riri? Lana? You know Sia + Stromae would be amazing.) This little girl is so ferocious and beautiful and disturbing, and you just know Sia was right there behind the camera, feeding her all that bizarro energy.
Robyn, gurl, you better bring it.
I’m just gonna leave this here:
This guy should come to America to teach pop stars how to turn their music videos into social commentary that is simultaneously high-concept and le supercool. Or at the very least, give everyone a dance lesson, no?